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Composer's Note:
I am troubled by the state of the world and the general "post-truthiness" of things.Babelis the latest in a series of large ensemble pieces composed as coded responses to current events. The amorphous, brittle textures are a product of our uncertain present: I wanted to sonify the paranoia and disquietude characterizing the current moment. I wanted to give a voice to the anxieties of my students, my colleagues, friends, and family.
A sonata form shattered upon recapitulation, most of the musical material is derived from a microtonal cantus that shrinks the diatonic scale to the span of in a Minor third. Rhythmicized as a garish ostinato on the piccolo, I was thinking about the evolution of marching bands from institutionally-sanctioned sounding boards to megaphones for civil disobedience.
Babelis dedicated to Francesca Zambello. Words are real. How we respond to them is real, too.
Composer’s Note:
I am troubled by the state of the world and the general “post-truthiness” of things.Babelis the latest in a series of large ensemble pieces composed as coded responses to current events. The amorphous, brittle textures are a product of our uncertain present: I wanted to sonify the paranoia and disquietude characterizing the current moment. I wanted to give a voice to the anxieties of my students, my colleagues, friends, and family.
A sonata form shattered upon recapitulation, most of the musical material is derived from a microtonal cantus that shrinks the diatonic scale to the span of in a Minor third. Rhythmicized as a garish ostinato on the piccolo, I was thinking about the evolution of marching bands from institutionally-sanctioned sounding boards to megaphones for civil disobedience.
Babelis dedicated to Francesca Zambello. Words are real. How we respond to them is real, too.
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