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  • Composer: Jrg Widmann (1973-)
  • Instrumentation: String Quartet (Violin I, Violin II, Viola, Cello)
  • Work: String Quartet No. 8 (Study on Beethoven III) (2020)
  • Binding:
  • ISMN: 9790001211789
  • Size: 8.9 x 12.0 inches
  • Pages: None
Look Inside!

Description

My String Quartet No. 8 is made up of three movements, and a fast tempo prevails almost throughout the entire work. The extreme brevity of the opening movement oscillates between rugged unisono passages and cascades of chords. The central movement is a set of variations based on the theme from the first eight bars of my beloved Alla danza tedesca , the enigmatic dance movement from Beethoven's String Quartet, Op. 130. I have not written any explicit variations for many years. I feel as though the Beethoven theme has itself gone through a large number of transformations and is already teeming with exceptional rhythmic, melodic and harmonic features. I naturally take great pleasure in immersing myself in my variations with this permanent calling into question of assertions.

Although it has been a long-planned dream of mine to create something from this Beethoven theme, it is actually the final 3rd movement which has become the central and most extended section of the work: a Rondo-Presto which repeatedly becomes caught up, almost ad absurdum, in its own breathless playfulness. Jrg Widmann

SKU:RBJN37305809179 Category:
  • Composer: Jrg Widmann (1973-)
  • Instrumentation: String Quartet (Violin I, Violin II, Viola, Cello)
  • Work: String Quartet No. 8 (Study on Beethoven III) (2020)
  • Binding:
  • ISMN: 9790001211789
  • Size: 8.9 x 12.0 inches
  • Pages: None

Look Inside!

Description

My String Quartet No. 8 is made up of three movements, and a fast tempo prevails almost throughout the entire work. The extreme brevity of the opening movement oscillates between rugged unisono passages and cascades of chords. The central movement is a set of variations based on the theme from the first eight bars of my beloved Alla danza tedesca , the enigmatic dance movement from Beethoven’s String Quartet, Op. 130. I have not written any explicit variations for many years. I feel as though the Beethoven theme has itself gone through a large number of transformations and is already teeming with exceptional rhythmic, melodic and harmonic features. I naturally take great pleasure in immersing myself in my variations with this permanent calling into question of assertions.

Although it has been a long-planned dream of mine to create something from this Beethoven theme, it is actually the final 3rd movement which has become the central and most extended section of the work: a Rondo-Presto which repeatedly becomes caught up, almost ad absurdum, in its own breathless playfulness. Jrg Widmann

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